TimesMachine is an exclusive benefit for home delivery and digital subscribers. Dominique de Menil, Quoted in Browning 1983, 37. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. Notable exhibitions at Rice Museum organized with the help of the de Menils were "The Machine as Seen at the End of the Mechanical Age", curated by Pontus Hulten for the Museum of Modern Art, New York, and "Raid the Icebox 1 with Andy Warhol",[17] an exhibition of objects selected by Warhol from the storage vaults of the Museum of Art at Rhode Island School of Design. Though the building is not loved by some of Dominique's children, it is hoped that eventually the varied holdings of all of them will repose there, too. Ever since, Dia's mission has been to commission, support, and present site-specific long-term installations and single-artists exhibitions to the public. His accomplished wife, Lois, a political historian with a Ph.D. from Harvard, is writing a book on a prominent 19th-century Schlumberger ancestor, Francois Guizot, Premier of France under Louis Philippe. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. ''We even borrowed money to buy art. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. I try to stay close to them, and as time goes on, we are more and more in touch.'' But the falling price of Schlumberger stock and serious administrative problems brought big financial troubles. [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. In fact, its long, low bulk looks more like, say, the suburban branch of an elegant department store. ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. Francois, who stopped making films (''I was dissatisfied with what I was doing and felt a change would be good''), is still elated over his admission to The Cooper Union, achieved in part by hiring special tutors to prepare him in necessary disciplines, such as mathematics. A painter himself, he had been a prime mover in the commissioning of Leger, Matisse and Rouault to do work for churches in France. They have been adventurous patrons, perhaps less concerned than many with the kudos and the cash that go with art patronage in American society. ''He reminds me of my father,'' she says, ''with his strong idealism and willingness to undertake certain things that others wouldn't. Since its inception, the chapel has witnessed all manner of events, from high-minded colloquia to weddings, bar mitzvahs, a Sufi ceremony by whirling dervishes from Turkey, a reception for the Dalai Lama and avant-garde concerts. I could have worked with Dominique.''. A good part of the Menil Collection comprises objects of African and other tribal art, and the foundation began, in 1961, a long-range research project, ''The Image of the Black in Western Art.'' An economist, with a Ph.D. from the Massachusetts Institute of Technology, he has taught at Princeton and is founding director of the economics research division of the Institute for Advanced Studies in the Social Sciences in Paris, where he is a professor and where he spends time teaching each year. The building was designed by architect Francois de Menil and mimics the original Lysi chapel. ''I went to breakfast, lunch and dinner at their house and met every important person they knew. Her second husband is. Leland, a civil-rights and antiwar activist who was studying to be a pharmacist at Texas Southern University, had dropped out to run the campaign of a black minister, D. Leon Everett, who sought a seat on the then-all-white board. And the approaching actuality still surprises her: ''It's a long way from my early days as a young wife and mother. The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. As it turned out, her parents, thanks to their holdings in Schlumberger, the giant multinational oil-field services company, were en route to developing one of the world's largest private art collections, noted today for its examples of Cubism, Surrealism, African sculpture, Mediterranean antiquities and contemporary works. [8][9] De Menil credited dealer and adviser John Klejman with shaping their tastes in African and Oceanic objects, saying that he "made buying African art very tempting". [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). Back came a cable: ''BUY WHOLE SHOW.'' Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. [1] She was awarded the National Medal of Arts in 1986. 1584-1586 - Franoise du Chtelet. The minute the cops arrive, they form ranks. THE NEW BUILDING will be close to another, even more un-Houstonian de Menil monument. A big show of the family's art collections was held at the Grand Palais in Paris two years ago. '', See the article in its original context from. Dominique, who maintains three homes herself, shakes her head indulgently over their ''extravagance.''. The Menil Foundation is contributing not only the art but about $8 million. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' Schlumberger, Dominique. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport He wanted me to be exposed to every aspect of their life that would give me a chance to do things for my community. Following the outbreak of World War II and the Nazi occupation of France, the de Menils emigrated from Paris to the United States of America. ''It gives us a strong family feeling.''. That same year they provided the University of St. Thomas, a small Catholic institution in Houston, with funding to build Strake Hall and Jones Hall, designed by Philip Johnson per their recommendation. She began to collect work by contemporary Americans even before her parents did, and exerted considerable influence on their acquisitions in the field. She says now that she never imagined their acquisitions would someday fill a museum. You can look up the words in the phrase individually using these links: philippa? And in a place where modern art was still regarded with suspicion, these ''pioneer cultural wildcatters,'' as one Houstonian calls them, established one of the world's outstanding collections, mounted shows and gave works to institutions - adding insult to injury by bringing the artists themselves to town. .''. philippa de menilare there really purple owls. Married to Susan Silver, a Barnard graduate (their son was born in January), he collects contemporary art, furniture, craft objects of the turn-of-the-century Vienna Secessionist school and rare books on art and architecture. You might try using the wildcards * and ? John listened patiently to the telephone tirade and then said, ''Listen, my friend, why don't you come to my house for a drink? Like the other children, he realizes fully that his parents are a difficult act to follow. Dominique, who was courted by other cities, says that the museum is in Houston because ''I was so encouraged here.'' [1] American Sufi leader Dominique de Menil, the daughter of Conrad Schlumberger and his wife, Louise Delpech, was born in Paris on March 23, 1908. ''Once the children had the disposal of their own fortunes,'' Dominique says, ''John and I never wanted to interfere.'' Dia Art Foundation, American foundation that supports contemporary art and artists, est. Small wonder that in Houston, a city where, as a local gadfly once observed, ''it's easier to be rich than interesting,'' the de Menils are something of a legend. Shortly thereafter, she gave him a book of Cartier-Bresson photographs, inscribed to him by the master himself, who had been staying with her for the weekend. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. Christophe, who at 53 is the oldest (and a grandmother of three, by her daughter Taya) has always been attuned to the avant-garde. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. The middle child is Georges, an elegant and articulate - if slightly stuffy -scholar of 45 who more or less oversees the family's financial matters. Unlike the normal superwealthy, their pursuits do not run to clubs, yachts or horseracing. Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. Indeed, Adelaide has recently given the museum an important piece from her collection. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. ''Ted really started it - he saved an old house that was going to be demolished, and so we bought the land,'' she says. At the age of 29, she met her mentor and guide on the path of Sufism upon his first visit to the Americas, Sheikh Muzaffer zak k al-Jerrahi of Istanbul. They had a foreign accent, and political views that for Texas were extremely liberal. '', AT 78, DOMINIQUE IS A HANDSOME WOMAN OF frail, unassuming presence, whose ''spiritual'' mien and austere garb evoke the image of a medieval saint. Sheikh Muzaffer Ozak's most prominent disciples and successors in North America were Tosun Bayrak, Lex Hixon, and Philippa de Menil. In 1981, on the chapel's 10th birthday, awards of $10,000 each were given to a dozen exemplary figures working in the cause of human rights -ranging from Tatiana Velikanova, a Russian mathematician, to Ned O'Gorman, a poet who founded the Children's Storefront in Harlem. Over the course of nearly 20 years, beginning in the late 1940's, they set up a full-fledged art and art history department, hiring -and paying for - teachers, researchers and what one of the former de-scribes as ''others with whom they have loose and flexible arrangements.'' They were the first Americans to influence Europeans. As a result, Georges's wife Lois has been appointed to Dia's reconstituted board, and Heiner has resigned. ''It was the most extraordinary thing that ever happened in Houston.''. ''I was interested in art, but shy and out of contact with the art world. She grew up, the middle sister of three, watching her physicist father, Conrad Schlumberger, struggle to perfect his invention, an electric measuring device that disclosed the location of oil deposits. While pressing toward the completion of the Houston museum, she finds time to head the Georges Pompidou Art and Culture Foundation in Paris; work on a long-range ethno-historical project, ''The Image of the Black in Western Art''; oversee the editing of the writings of Father Marie-Alain Couturier, the Dominican priest who introduced her and John to modern art; keep up with the activities of such de Menil projects as the Institute for the Arts at Rice University and the Rothko Chapel in Houston, and promote religious ecumenism through worldwide contacts among clergy of various persuasions. He remembers a rainy night in Paris, when he was ill with a cold but had a manuscipt to deliver to the noted anthropologist Claude Levi-Strauss. In 1974, the two formed the Dia Foundation - the name is Greek for catalyst - subsidized solely by Philippa's shares in Schlumberger Ltd. Dia soon became one of the largest and most venturesome nonprofit funding sources in the field of contemporary art, buying up the works of certain artists -more than 125 of John Chamberlain's sculptures of crushed auto parts, for example - and sponsoring projects that range from Walter de Maria's permanent ''earth sculpture,'' comprising 280,000 pounds of dirt that fill a gallery in a SoHo building, to the vast ''Art Museum of the Pecos,'' in Marfa, Tex., a compound of more than 340 acres which has deployed an array of indoor and outdoor works by Donald Judd and other artists. ''She had a passion for art, and in later years she did buy it, but she gave it to her grandchildren - small things, a little Klee, a little Picasso, a little Rouault,'' says Dominique. The family has done everything as dedicated amateurs, but they helped the right people at the right time. [1] She also published articles on film technology in the French journal La revue du cinma.[4]. Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. It was inescapable. She studied mathematics and physics at the Sorbonne in Paris in 1927-28 . Early in 1969, the de Menils transferred their patronage from St. Thomas to Rice University, a secular, science-oriented school then beginning to branch out into the liberal arts. As modernists, they recognized the profound formal and spiritual connections between contemporary works of art and the arts of ancient and indigenous cultures, broadening their collection to include works from classical Mediterranean and Byzantine cultures, as well as objects from Africa, Oceania, and the Pacific Northwest. BUT, AS DOMINIQUE likes to point out, she and John didn't start out rich. [1], The Menil campus also includes the Byzantine Fresco Chapel. They buttressed a budding art history department, established an Institute for the Arts that sponsored exhibitions, lectures and events, and created an ''Art Barn'' for exhibitions. They gave major gifts of art to the school, bought land to expand the campus and hired Philip Johnson to design new buildings. Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. ''At Marseilles, Mother wrapped us in our loden coats to conceal our spots, so the authorities wouldn't detain us.'' Casey Lesser. They have also come to the aid of liberal-left politicians and Islamic religious groups, avant-garde music and counterculture films, archeological digs and art education, Long Island fishermen and anti-Vietnam activists. Hugetz, Edward, and Brian Huberman. Dia initially focused on commissioning works by a select group of contemporary artistsnotably, minimalists and conceptual artists. 1974 by art dealer Heiner Friedrich and his wife, art patron Philippa de Menil. [1], John and Dominique de Menil began collecting art intensively in the 1940s, beginning with a purchase of Paul Czanne's 1895 painting Montagne (Mountain) in 1945. [27], The de Menils also organized exhibitions that promoted human and civil rights, including The De Luxe Show, a 1971 exhibition of contemporary art held in Houston's Fifth Ward, a historically African-American neighborhood. The de Menils' involvement with blacks has not only been on the political level. A new board was appointed. T HE SECOND-GENERATION de Menils all have established their own lives and embarked on their own projects - though none, perhaps, with the drive and range of their parents' activities. Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. Philippa de Menil (now Fariha Fatima al-Jerrahi) ominously reflected on the passing of her spiritual guide saying, "His death seemed to herald many new changes." [5] The new board began slashing at Dia contracts and real estate to get the budget under control with projects being dropped and dismantled at a fast rate. When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. The reunited family went to Houston, then the American headquarters for the company. [2], De Menil was born Dominique Isaline Zelia Henriette Clarisse Schlumberger, the daughter of Conrad Schlumberger and Louise Schlumberger (ne Delpech), Calvinist Alsatians. During an earlier school board election, the de Menils helped launch the political career of Mickey Leland, a young black militant from Houston's grubby Fifth Ward, who is now serving his fourth term in the United States Congress. The idea was born, Dominique says, out of her ''shock'' at discovering segregation ''when I arrived in the United States, and wondering why, when great artists have seen blacks as beautiful, dignified, noble, they were not considered so here.''. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. The bulk of the vast collection - reportedly worth between $150 milllion and $175 million - will be kept on the second floor in open storage, visible to anyone who wants to see it. "Les divers procds du film parlant". (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) It serves the vi-sion of a place ''for people in search of peace, meditation and a more intense consciousness of our time.'' But when the artist arrived, she appeared for a moment only. THE DE MENILS' IN-volvement in the Houston art world began in the 1940's - an inevitable consequence of Father Couturier's evangelism. Plans to create a museum to house and exhibit John and Dominique de Menil's collection began as early as 1972 when they asked the architect Louis I. Kahn to design a museum campus on Menil Foundation property in the Montrose neighborhood of Houston near the Rothko Chapel. The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. And early last year, facing an inquiry by the New York State Attorney General into its management practices - with a debt of more than $6 million, a projected budget of $5 million, but no visible source of income - Dia began to pull in its horns. de? Yet for all her protests, her modest, low-key bearing conceals the drive of a captain of industry, and one of her associates says, ''The phrase 'steel butterfly' was coined for her. Philippa De Menil Bio Details Full name Philippa De Menil Gender Female Age 71 (approx.) But Heiner lives in a dream. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' The city's negativism toward the piece, however, served as a goad to the active de Menil political conscience, according to Fred Hofheinz, a young white liberal who was elected Mayor of the volatile city in 1973 with heavy de Menil backing. Millionaires are different from us, as everyone knows, but as a clan the de Menils are different even from their fellow millionaires, most noticeably in the unconventional ways in which they spend their money. You can't just expand and expand. Behind that fragile, otherworldly facade is a complex person of very ambitious reach.''. [8] Over the years the family enjoyed close personal friendships with many of the artists whose work they collected, including Victor Brauner, Max Ernst, Jasper Johns, Yves Klein, Ren Magritte, Robert Rauschenberg, Dorothea Tanning, and Andy Warhol. Sweeney, the de Menils' man, was eventually dismissed, partly because he questioned the attributions of works the Blaffer family proposed to donate. she asked, in genuine surprise. THE COUPLE'S MOST INTENSE Houston involvement was with St. Thomas University, a small Catholic college. Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. German gallery owner Heiner Friedrich, Fariha Friedrich (ne de Menil) and Helen Winkler Fosdick founded Dia. Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. ''The funny thing is, how it came out in me after my parents' collecting,'' says Philippa, a fresh-faced blonde who has her mother's unpretentious manner and good looks. Photo by Michael Schmelling Explains William Camfield, whom the de Menils brought over as professor of art history from St. Thomas, ''At Rice, the de Menils said, 'Let's see if it works and if you like it. With the guidance of the Dominican priest Marie-Alain Couturier, who introduced the de Menils to the work of artists in galleries and museums in New York, they became interested in the intersection of modern art and spirituality. They actually maintained their support here for six or seven years before it began to happen.'' Later in his life, spending more time in New York, he would give lavish dinners for them and make the rounds -in a chauffeured limousine -of poetry readings, performances and parties, bestowing gifts on those who interested him. (To help finance this expensive venture, she sold a number of important paintings last year at Sotheby-Parke Bernet, realizing more than $2 million. Dr. Martin Luther King was assassinated, they offered it to the city of Houston on condition that it be dedicated to the black leader. Whitman brought a suit against Dia, which is pending. which cannot be easily produced, fi-nanced or owned by individual collectors because of their cost and magnitude". ''He made us greedy,'' Dominique says, remembering that the priest once appeared for lunch with a Rouault painting under his arm. Both pupils received new Sufi names. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. Francois's taste in art is more of a mixed bag than Christophe's, ranging from works by Matisse, de Chirico, Picasso and Rothko to a flock of life-size fake sheep by the French artists Francois-Xavier and Claude Lalanne. 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