[124], Although American Bandstand's programming came to rely on the musical creations of black performers, the show marginalized black teens with exclusionary admissions policies until it moved to Los Angeles in 1964. Written by Mack, it was released on the Laurie Records label in 1963. high tenor lead singers and deep voiced talking bass parts. Doo-wop was popular with California Mexican Americans, who were attracted in the 1950s to its a capella vocals; the romantic style of the doo-wop groups appealed to them, as it was reminiscent of the traditional ballads and harmonies of Mexican folk music. Doo-wop music is a genre that emanated from some of the biggest cities in the U.S. during the 1940s and 1950s. [77] "Bad Girl" was the group's first national chart hit,[78] reaching #93 on the Billboard Hot 100. Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a IviiiV-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression IviIVV, so influential that it is sometimes referred to as the '50s progression. [17] While these features provide a helpful guide, they need not all be present in a given song for aficionados to consider it doo-wop, and the list does not include the aforementioned typical doo-wop chord progressions. "Bad Girl", a 1959 doo-wop single by Robinson's group, the Miracles, was the first single released (and the only one released by this group) on the Motown labelall previous singles from the company (and all those following from the group) were released on the Tamla label. Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that Buck Ram's Doo Wop (MP3) Doo Wop [164] A few years later, Reed worked as a staff songwriter writing bubblegum and doo-wop songs in the assembly-line operation at Pickwick Records in New York. That said, who are best doo-wop groups of all time? the 10/12 Board So, all things considered, this poll of doo-wop groups seeks toanswer the questions of "who are the best doo-wop bands of all time?" All of a sudden, all you could hear was, hip hop hit the top don't stop. [162] Lubinsky, who founded Savoy Records in 1942, produced and recorded the Carnations, the Debutantes, the Falcons, the Jive Bombers, the Robins, and many others. [130][131], The program director of WHAT, Charlie O'Donnell, hired Lit, who was Jewish, to deejay on the station in 1955, and Lit's career was launched. Battle, a migrant from Macon, Georgia, established his shop as the first black-owned business in the area, which remained primarily Jewish up to the late 1940s. [105] Judy Craig, fourteen years old, was the lead singer, singing with Patricia Bennett and Barbara Lee, both thirteen. [8], White artists such as Elvis Presley performed and recorded covers of rhythm and blues songs created by African American artists that were marketed to a white audience. [85], Early doo-wop music, dating from the late 1940s and early 1950s, was especially popular in the Northeast industrial corridor from New York to Philadelphia,[86] and New York City was the world capital of doo-wop. The songwriting team of Goffin and King, who worked for Don Kirshner's Aldon music at 1650 Broadway (near the famed Brill Building at 1619),[159] offered Greenberg a song, "Will You Love Me Tomorrow? Doo-wop groups also formed on the west coast of the United States, especially in California, where the scene was centered in Los Angeles. [104], In 1960, the Chiffons began as a trio of schoolmates at James Monroe High School in the Bronx. In 1962, the girls met songwriter Ronnie Mack at the after-school center; Mack suggested they add Sylvia Peterson, who had sung with Little Jimmy & the Tops, to the group. https://en.wikipedia.org/w/index.php?title=Category:Doo-wop_groups&oldid=950972735, Template Category TOC via CatAutoTOC on category with 101200 pages, CatAutoTOC generates standard Category TOC, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 14 April 2020, at 20:40. [60], The Chicago doo-wop groups, like those in New York, started singing on street corners and practiced their harmonies in tiled bathrooms, hallways, and subways,[61] but because they came originally from the deep South, the home of gospel and blues music, their doo-wop sound was more influenced by gospel and blues. [3][4] It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. doo - Smart Event Automation Mehr als eine All in-one Lsung, um die gesamte Teilnehmendenreise abzubilden Ob live, hybrid oder vor Ort, fr zehn Teilnehmer ebenso wie fr tausende, interne oder externe Zielgruppen - unsere modulare SaaS-Lsung untersttzt Sie optimal. Revival television shows and boxed CD sets such as the "Doo Wop Box" set 13 have rekindled interest in the music, the artists, and their stories. [43], Like other urban centers in the US during the late 1940s and early 1950s, Baltimore developed its own vocal group tradition. tuition and home schooling, secondary and senior secondary level, i.e. Ralf von Appen, Markus Frei-Hauenschild (2015). To suit his tenor voice Lymon made a few alterations to the melody, and consequently the Teenagers recorded the song known as "Why Do Fools Fall in Love?". With excellent customer service, stable trading environment, competitive trading costs, best trade execution and a diverse range of trading products, Doo Prime is committed to becoming your personal and Doo-wop music allowed these youths not only a means of entertaining themselves and others, but also a way of expressing their values and worldviews in a repressive white-dominated society, often through the use of innuendo and hidden messages in the lyrics. They'd gather anywhere and, you know, doo-wop doowah da dadada. Learn more WHY doo Services Service portfolios according to your needs More His album Modern Lovers 88 (1987), with doo-wop stylings and Bo Diddley rhythms, was recorded in acoustic trio format.[169]. Young singers formed groups and rehearsed their songs in public spaces: on street corners, apartment stoops, and subway platforms, in bowling alleys, school bathrooms, and pool halls, as well as at playgrounds and under bridges. In 1957, small Philadelphia record label XYZ had recorded "Silhouettes", a song by local group the Rays, which Cameo picked up for national distribution. [172] That same year the Platters had a number one pop chart hit with "The Great Pretender", released on 3 November. ", which was recorded by the Shirelles and rose to number 1 on the Billboard Hot 100 chart in 1961. [147], The synthesis of music styles that evolved into what is now called rhythm and blues, previously labeled "race music" by the record companies, found a broad youth audience in the postwar years and helped to catalyze changes in racial relations in American society. He was born in Harlem, where he began singing doo-wop songs with his friends on the streets. These cultural commonalities allowed Italian Americans to appreciate the singing of black doo-woppers in deterritorialized spaces, whether on the radio, on records, at live concerts, or in street performances. [79] Written by Miracles lead singer Smokey Robinson and Motown Records' president Berry Gordy, "Bad Girl" was the first of several of the Miracles' songs performed in the doo-wop style during the late 1950s. The six girls in the Bobettes, aged eleven to fifteen, wrote and recorded "Mr. Lee", a novelty tune about a schoolteacher that was a national hit. Our online courses offer unprecedented opportunities for people who would otherwise have limited access to education. [184] An early notable revival of "pure" doo-wop occurred when Sha Na Na appeared at the Woodstock Festival. Independent record labels owned by black entrepreneurs such as Dootsie Williams and John Dolphin recorded these groups, most of which had formed in high schools. Shop Various Artists's Golden memories of the past (doo-wop groups) LP for sale by therecordgroove at 20.35 on CDandLP - Ref:948239164 LITTLE WILLIE JOHN/GROUP 45RPM '59 KING NO REGRETS DOO WOP BALLAD PROMO M- VINYL . Had a great experience here. Chess signed the Moonglows, who had the most commercial success (seven Top 40 R&B hits, six of those Top Ten[63]) of the 1950s doo-wop groups,[64] and the Flamingos, who had national hits as well. [106], Public School 99, which sponsored evening talent shows, and Morris High School were centers of musical creativity in the Bronx during the doo-wop era. During the late 1940s and early 1950s, independent record labels gained control of the black record market from the major companies, and Chicago rose as one of the main centers for rhythm and blues music. For other uses, see Doo Wop (disambiguation). Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated among African-American youth in the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. Web1940s1950s, African American communities across some major cities on the East Coast. Vocal group singing was the most popular style of rhythm and blues in the early 1950's, the first music to be called "rock & roll" and the favorite of the the teenagers and disc jockeys. They contend that in the extremely competitive independent record company business during the postwar era, the practices of Jewish record owners generally were more a reflection of changing economic realities in the industry than of their personal attitudes. Born in the African-American neighborhoods of mostly northeastern cities in the 40s and 50s, doo [62], Vee-Jay Records and Chess Records were the main labels recording doo-wop groups in Chicago. WebDoo Wop music from the 1970s | Discogs All 2,384 Release 328 Master Artist Label Search Marketplace Exploring Doo Wop from the 1970s 1 50 of 2,712 Prev Next Sort Their After the nationally distributed Ember label acquired the rights to "Get a Job", Dick Clark began to play it on American Bandstand, and subsequently it sold over a million copies, topping the Billboard R&B singles chart and pop singles chart. They identified with their own wards, street blocks and streets. It reached number 7 on the U.S. One of the members lived across the street from Sonny Til, who went on to lead the Orioles, and their success inspired the Oakaleers to rename themselves the Swallows. WebPages in category "Doo-wop groups" The following 195 pages are in this category, out of 195 total. In the 1940s black youths in the city began to sing the rhythm and blues styling that came to be known as doo-wop. [150] Black and white young people both wanted to see popular doo-wop acts perform, and racially mixed groups of youths would stand on inner city street corners and sing doo-wop songs a capella. [119], Black doo-wop groups had a major role in the evolution of rhythm and blues in early 1950s Philadelphia. [55], Some Baltimore doo-wop groups were connected with street gangs, and a few members were active in both scenes, such as Johnny Page of the Marylanders. This page was last edited on 17 January 2023, at 03:56. [24][25], "Doo-wop" is itself a nonsense expression. [186] So the same thing started with rap groups around '76 or so. DEMO ANFRAGEN MEHR ALS 1.600 KUNDEN [142] These developments were the principal means by which new American R&B records were introduced to a mass Jamaican audience. They are considered as one of the pioneering doo-wop acts at that time, being the first black doo-wop a group to cross over the pop charts. This trend reached its peak in racially segregated commercial productions such as American Graffiti, Happy Days, and Grease, which was double-billed with the Ramones' B-movie feature Rock 'n' Roll High School in 1979. [160], Deborah Chessler, a young Jewish sales clerk interested in black music, became the manager and songwriter for the Baltimore doo-wop group the Orioles. rising to no. The group's most notable hit was "The Wind". [151][152][149], The development of rhythm and blues coincided with the issue of racial segregation becoming more socially contentious in American society, while the black leadership increasingly challenged the old social order. It included songs by local bands such as the Heartbeats and the Medallions. [50] The Orioles were perhaps the first of the many doo-wop groups who named themselves after birds. [166], This music was embraced by punk rockers in the 1970s, as part of a larger societal trend among white people in the US of romanticizing it as music that belonged to a simpler (albeit non-existent) time of racial harmony before the social upheaval of the 1960s. Cruising with Ruben & the Jets, released in late 1968,[32] is a concept album of doo-wop music recorded by Frank Zappa and the Mothers of Invention performing as a fictitious Chicano doo-wop band called Ruben & the Jets. We follow a systematic approach to the process of learning, examining and certifying. Competitive music and dance was a part of African American street culture, and with the success of some local groups, competition increased, leading to territorial rivalries among performers. It eventually reached number 3 on both the R&B Best Sellers chart and Billboard Top 100,[133][134] and also reached the top five on both the sales and airplay charts. In the mid-1950s, a number of rhythm and blues acts performing in the vocal ensemble style later known as doo-wop began to cross over from the R&B charts to mainstream rock 'n' roll. The sound they helped develop, later called '"doo-wop", eventually became a "sonic bridge" to reach a white teen audience. [161], Some record company owners such as Herman Lubinsky had a reputation for exploiting black artists. Its second revival was in the early 70s. [112] While relationships between Italian Americans and African Americans in the Bronx were sometimes fraught, there were many instances of collaboration between them. In 1948, the Orioles, then known as the Vibra-Nairs, went to the city with Deborah Chessler, their manager and main songwriter, and appeared on the show. Bruno Mars and Meghan Trainor are two examples of current artists who incorporate doo-wop music into their records and live performances. Pages in category "Doo-wop groups" The following 195 pages are in this category, out of 195 total. [40] Racially integrated groups with both black and white performers included the Del-Vikings, who had major hits in 1957 with "Come Go With Me" and "Whispering Bells", the Crests, whose "16 Candles" appeared in 1958, and the Impalas, whose "Sorry (I Ran All the Way Home)" was a hit in 1959. Many of the biggest doo-wop artists are among the most recognizable faces in music history. Groups like the Castelles and the Turbans helped develop the music with their tight harmonies, lush ballads, and distinctive falsettos. [167], By 1963 and 1964, proto-punk rocker Lou Reed was working the college circuit, leading bands that played covers of three-chord hits by pop groups and "anything from New York with a classic doo-wop feel and a street attitude". exams to Degree and Post graduation level. [46], Bobby Robinson, a native of South Carolina, was an independent record producer and songwriter in Harlem who helped popularize doo-wop music in the 1950s. [139] In 1957, American performers including Rosco Gordon and the Platters performed in Kingston. This characteristic harmonic layout was combined with the AABA chorus form typical for Tin Pan Alley songs. Doo-wop experienced a resurgence in popularity at the turn of the 21st century with the airing of PBS's doo-wop concert programs: Doo Wop 50, Doo Wop 51, and Rock, Rhythm, and Doo Wop. 30 popular meanings of DOO abbreviation: 50 Categories Next Suggest to this list Related acronyms and abbreviations Share DOO Meaning page [71] Strong, like other R&B and doo-wop tenors of the time, was profoundly influenced by Clyde McPhatter, lead singer of the Dominoes and later of the Drifters. Baltimores Orioles (no pun intended) generally are considered the first of the doo-wop vocal groups, and, as such, obviously stand as one of the genres greats. Maestro said that he became interested in R&B vocal group harmony listening to the Flamingos, the Harptones, and the Moonglows on Alan Freed's radio show on WINS in New York. #25 of 100. This new approach to sex in their performances did not target the white teen audience at firstwhen the Orioles took the stage, they were appealing directly to a young black audience,[52] with Sonny Til using his entire body to convey the emotion in the lyrics of their songs. DOO Meaning What does DOO mean as an abbreviation? Entdecke TJ Lubinsky prsentiert Original Masters DOO WOP GENERATIONEN 6-CD Set in groer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung fr viele Artikel! [20][21] For instance, "Count Every Star" by the Ravens (1950) includes vocalizations imitating the "doomph, doomph" plucking of a double bass. [166], Early punk rock adaptations of the 12-bar aab pattern associated with California surf or beach music, done within eight-, sixteen-, and twenty-four bar forms, were made by bands such as the Ramones, either as covers or as original compositions. [113], Italian Americans kept African Americans out of their neighborhoods with racial boundary policing and fought against them in turf wars and gang battles, yet they adopted the popular music of African Americans, treated it as their own, and were an appreciative audience for black doo-wop groups. [114] Similarities in language idioms, masculine norms, and public comportment[115] made it possible for African American and Italian American young men to mingle easily when societal expectations did not interfere. Most doo wop groups started as a cappella bands, performing without instrumental accompaniment. It's a style of smooth harmony singing without any, or with minimal, instrumental accompaniment, almost exclusively sung by male groups, and is notable for its simplicity, innocence, and joyousness. Having evolved from pop, jazz and blues, doo-wop influenced many of the major rock and roll groups that defined the latter decades of the 20th century, and laid the foundation for many later musical innovations. They were originally called the Crazy Sounds, but were renamed by disc jockey Alan Freed as the Moonglows. These programs brought back, live on stage, some of the better known doo-wop groups of the past. You can, Doo-wop influence on punk and proto-punk rockers. [95], Arthur Godfrey's long-running (19461958) morning radio show on CBS, Talent Scouts, was a New York venue from which some doo-wop groups gained national exposure. These trailblazing supergroups are among the best doo-wopers ever and inspired generations of vocal harmony and modern a cappella. [176] There was a revival of the nonsense syllable form of doo-wop in the early 1960s, with popular records by the Marcels, the Rivingtons, and Vito & the Salutations. ", but whether because he was ill or because producer George Goldner thought that newcomer Frankie Lymon's voice would be better in the lead,[39] Santiago's original version was not recorded. In the Beach Boys' case, doo-wop influence is evident in the chord progression used on part of their early hit "Surfer Girl". Many of these vocal groups got together in secondary schools such as West Philadelphia High School, and performed at neighborhood recreation centers and teen dances. [44] The Royal Theatre in Baltimore and the Howard in Washington, D.C. were among the most prestigious venues for black performers on the so-called "Chitlin Circuit",[45] which served as a school of the performing arts for blacks who had migrated from the deep South, and even more so for their offspring. Doo Wop. This Love Was Real - LA Vocal Groups 1959-1964. They cut six sides, one of which was a doo-wop ballad written by Chessler called "It's Too Soon to Know". This music was a vital source for the youth music called rock 'n' roll. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. During the early 1960s, Scepter was the most successful independent record label. [118], The migration of blacks to Philadelphia from the southern states of the US, especially South Carolina and Virginia, had a profound effect not only on the city's demographics, but on its music and culture as well. Picture Soul group the Trammps recorded "Zing! The Greatest Motown Artists Of All Time. Kenny Vance idolized the early doo-wop groups he saw practicing and performing on street corners in Brooklyn in the 1950s. Most of these groups had limited success, scoring only one or two hit songs on the R&B charts. The Four Coins, a Greek American doo-wop group from Pittsburgh, did a show in Kingston in 1958. The original lineup from Louisville included Bobby Lester, Harvey Fuqua, Alexander Graves, and Prentiss Barnes, with guitarist Billy Johnson. The Belmonts got there name from Belmont Avenue in the Bronx. Webin fact, motown s premier male group of the 1960s and 70s, the temptations, had a vocal sound that was based in this classic doo-wop style, with the ink spots tenor lead singer, 21st Century Doo Wop. Grade 10 and 12 level courses are offered by NIOS, Indian National Education Board established in 1989 by the Ministry of Education (MHRD), India. Doo-wop has complex musical, social, and commercial origins. [38] Puerto Rican Herman Santiago, originally slated to be the lead singer of the Teenagers, wrote the lyrics and the music for a song to be called "Why Do Birds Sing So Gay? 15 on Billboard's Hot 100. Freed's various radio and stage shows had a crucial role in creating a market for Italian doo-wop. This list may not reflect recent changes. 1 on Billboard's national Most-Played Juke Box Race Records chart, and, in a first for a doo-wop song, the record crossed over to the mainstream pop chart, where it reached no. [7], Doo-wop's characteristic vocal style was influenced by groups such as the Mills Brothers,[14] whose close four-part harmony derived from the vocal harmonies of the earlier barbershop quartet.[15]. [41], Female doo-wop singers were much less common than males in the early days of doo-wop. [158] For example, Jack and Devora Brown, a white Jewish couple in Detroit, founded Fortune Records in 1946, and recorded a variety of eccentric artists and sounds; in the mid-1950s they became champions of Detroit rhythm and blues, including the music of local doo-wop groups. [135] In 1958, Danny & the Juniors had a number-one hit with "At the Hop" and their song "Rock and Roll Is Here to Stay" reached the top twenty. Like Charlie Brown and Yakety Yak by the Coasters, Smoke Gets in Your Eyes and The Great Pretender by the Platters, and Under the Boardwalk and On Broadway by the Drifters. Billboard Adult contemporary chart in June 1993. WebDoo Wop Songs Playlist | Best Doo Wop Songs Of The 50s 60s 70s - YouTube 0:00 / 52:11 01 The Danleers - One Summer Night Doo Wop Songs Playlist | Best Doo Wop Songs They rehearsed on street corners and apartment stoops,[31] as well as under bridges, in high school washrooms, and in hallways and other places with echoes:[13] these were the only spaces with suitable acoustics available to them. Doo helps you procrastinate less. My childs preference to complete Grade 12 from Perfect E Learn was almost similar to other children. You must there are over 200,000 words in our free online dictionary, but you are looking for one thats only in the Merriam-Webster Unabridged Dictionary.. Start your free trial today and get unlimited access to America's largest dictionary, with:. Soul and funk bands such as Zapp released the single ("Doo Wa Ditty (Blow That Thing)/A Touch of Jazz (Playin' Kinda Ruff Part II)"). Other young male vocalists of the era took note and adjusted their own acts accordingly. Zappa took the song to Laboe, who recruited the lead vocalist of the Penguins, Cleve Duncan, for a new iteration of the group, recorded it, and released it as a single on his record label. by the Mello-Moods, "The Glory of Love" by the Five Keys, and "Shouldn't I Know" by the Cardinals. [117] Italian American groups from the Bronx released a steady stream of doo-wop songs, including "Teenager In Love" and "I Wonder Why" by Dion and the Belmonts, and "Barbara Ann" by the Regents. The record was a collection of classic doo-wop songs by bands that used to play at the dances Laboe organized at El Monte Legion Stadium in El Monte, California,[84] beginning in 1955. Various Artists (Doo Wop Compilations) CD 11.70. [48][49] This was followed in 1953 by "Crying in the Chapel", their biggest hit, which went to number 1 on the R&B chart and number 11 on the pop chart. WebThe Doo-Wop Groups. BUILD BETTER HABITS. [170] This was followed by several other white artists covering doo-wop songs performed by black artists, all of which scored higher on the Billboard charts than did the originals. Perfect E Learn is committed to impart quality education through online mode of learning the future of education across the globe in an international perspective. [34], Teenagers who could not afford musical instruments formed groups that sang songs a cappella, performing at high school dances and other social occasions. [88] Many of these groups were found in Harlem. Doo-wop's style is a mixture of precedents in composition, orchestration, and vocals that figured in American popular music created by songwriters and vocal groups, both black and white, from the 1930s to the 1940s. In the Delta Rhythm Boys' 1945 recording, "Just A-Sittin' And A-Rockin", it is heard in the backing vocal. The song they performed, "It's Too Soon to Know", often cited as the first doo-wop song,[47] went to number 1 on Billboard's "Race Records" chart, and number 13 on the pop charts, a crossover first for a black group. Various Artists (Doo Wop Compilations) CD 11.70. [28], The vocal harmony group tradition that developed in the United States post-World War II was the most popular form of rhythm and blues music among black teenagers, especially those living in the large urban centers of the eastern coast, in Chicago, and in Detroit. Remember Me Baby - Cameo Parkway Vocal Groups Vol 1. [119] The Turbans, Philadelphia's first nationally charting R&B group,[120] formed in 1953 when they were in their teens. It's kids to a great extent mixed-up and confused reaching out to express themselves. "Only You" was released in June 1955 by pop group the Platters. [136][128], The history of modern Jamaican music is relatively short. Doo-wop groups played a significant role in ushering in the rock and roll era when two big rhythm and blues hits by vocal harmony groups, "Gee" by the Crows, and "Sh-Boom" by the Chords, crossed over onto the pop music charts in 1954. Crier was a founding member of a doo-wop group called the Five Chimes, one of several different groups with that name,[108] and sang bass with the Halos and the Mellows. To a great extent mixed-up and confused reaching out to express themselves black youths in 1940s. Records label in 1963. high tenor lead singers and deep voiced talking bass parts in category `` doo-wop groups the. 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Groups of all time the past Billy Johnson the era took note and adjusted their own wards, street and. A nonsense expression known as doo-wop the streets the Shirelles and rose to 1... Where he began singing doo-wop songs with his friends on the Laurie Records in... 1960S, Scepter was the most successful independent record label the top n't... Name from Belmont Avenue in the Bronx home schooling, secondary and senior secondary level, i.e A-Sittin ' A-Rockin! Learning, examining and certifying musical, social, and Prentiss Barnes, with guitarist Billy Johnson the and! Ballad written by Chessler called `` it 's kids to a great extent mixed-up and confused reaching to! Biggest doo-wop artists are among the most successful independent record label stage, some of biggest... Youth music called rock ' n ' roll a great extent mixed-up and confused reaching to. Was `` the Wind '' instrumental accompaniment the city began to sing the rhythm and blues styling that to. The group 's most notable hit was `` the Wind '' syllables ( such ``... Common than males in the early 1960s, Scepter was the most successful independent record.... Other uses, see Doo Wop Compilations ) CD 11.70 by Mack, it is in! Early days of doo-wop An abbreviation Laurie Records label in 1963. high tenor lead singers and deep talking. `` doo-wop groups '' the following 195 pages are in this category, out of 195 total to. Vocalists of the biggest cities in the Bronx tight harmonies, lush ballads, and Barnes... In early 1950s Philadelphia bands such as `` doo-wop groups he saw practicing and on! There name from Belmont Avenue in the U.S. during the early 1960s, Scepter was the most recognizable in! Written by Chessler called `` it 's Too Soon to know '' high School the. Doo-Wop songs with his friends on the streets for the youth music called doo wop groups of the 70s n. Develop the music with their tight harmonies, lush ballads, and Barnes! 119 ], black doo-wop groups '' the following 195 pages are in this category, out of total! An early notable revival of `` pure '' doo-wop occurred when Sha Na Na appeared at Woodstock!
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